The sessions for the album began before the recording of Bowie's Low (1977); thus, The Idiot has been called the unofficial beginning of Bowie's Berlin period.
Harry backstage with David Bowie on the 1977 The Idiot tour, on which Blondie supported Iggy Pop. Stein says it was the only shot he took of Bowie on the whole tour. I suspect he was, and is, very careful of his image and what goes ou. Find this Pin and more on Portraits by beauty + handmade goods.
Lust for Life (Iggy Pop album). Lust for Life is the second studio album by Iggy Pop, his second solo release and his second collaboration with David Bowie, following The Idiot earlier in the year. As well as achieving critical success, it was Pop's most commercially popular album to date, and remains his only Gold-certified release in the UK.
Recorded at the Chateau d'Herouville and Hansa Studios, Berlin Made in Germany.
1977 studio album by Iggy Pop. The Idiot . Most of the album was performed alongside Lust for Life material during the 2016 spring tour by Pop and his new band featuring Joshua Homme, Dean Fertita and Troy Van Leeuwen from Queens of the Stone Age and Matt Helders from Arctic Monkeys, as part of the promotion for Post Pop Depression, an album self-referential to Pop's Berlin period.
Iggy Pop, left, and David Bowie, during the tour for Mr. Pop’s 1977 album The Idiot. After the tour, Mr. Bowie produced Mr. Pop’s 1977 solo debut album, The Idiot, while traveling in France and Germany and working together on songs - often with Mr. Bowie providing music and perhaps a title and Mr. Pop completing it with melodies and lyrics. He subsumed my personality, lyrically, on that first album, Mr. Pop said. He compared Mr. Bowie with the character in George Bernard Shaw’s Pygmalion and the musical My Fair Lady. At times, Mr. Pop said, it was like having Professor Higgins say to you: ‘Young man, please, you are from the Detroit area
Musically, The Idiot is of a piece with the impressionistic music of Bowie's "Berlin Period" (such as Heroes and Low), with it's fragmented guitar figures, ominous basslines, and discordant, high-relief keyboard parts. The Idiot introduced the world to a very different Iggy Pop, and if the results surprised anyone expecting a replay of the assault of Raw Power, it also made it clear that Iggy was older, wiser, and still had plenty to say; it's a flawed but powerful and emotionally absorbing work.
Debbie Harry with David Bowie, photogrpahed backstage during 1977’s The Idiot tour by Chris Stein of Blondie. Photograph: from the book Chris Stein, Negative published by Rizzoli. CS: And he did the same thing for Iggy, to a certain extent. Iggy still had a kind of cult status; he wasn’t a megastar in the A list, the way Bowie was. But Bowie was very generous: he was just at the back, playing keyboards. He was really concerned with the whole show moving smoothly. The show was so professional and at the same time crazy and exciting – he managed to put the two things together . DH: That was when he had the Low album out, which was received poorly. He got some real heavy criticism for that. But there you go. The whole show was wonderful and energetic. It was our first big tour.
The Idiot is the debut solo album by American rock singer Iggy Pop. It was the first of two LPs released in 1977 which Po. .lt;/p
|10||I Need Somebody|
|11||Search & Destroy|
|12||I Wanna Be Your Dog|
|14||Some Weird Sin|